![]() "Most often I want everything in the foreground to be sharp, and the details in the background won't be that important, especially if the background is in shadows-you won't see details anyway." "I'm getting myself in the right position," she says, "but I'm looking at the quality of the sun's light as it changes, and at what's happening within the influence of light-how the light's affecting the scene."ĭeb prefers manual metering for these images, and she'll almost always set the f/stop first to control the depth of field. So it's the moments between darkness and sunup that are very important."įor sunset images, it's a different approach. I don't want to shoot much past that point-once the sun's over the horizon, it's too intense. I'm going to set myself up to get the best shot before the sun peeks over the horizon. "I want to see where the clouds are or are likely to be. "For sunrises, I'm there, as a rule, about 45 minutes before it happens," Deb says. While it's possible to just notice a glorious sunset happening right in front of you, for the most part these kinds of pictures take some time, thought and planning. At a certain level of ambition and achievement, these photographs are not about simply capturing what's given. For a professional photographer, they also represent the desire to make something different, unusual, notable and memorable. Her images are interpretive and subjective they are efforts to capture a feeling or a mood. Rather, they're emotional reactions to what she's seeing, and often what she's envisioned or planned. Rocks, docks, boats, islands, bridges, skylines-they're all good subjects for dramatic, beautiful sunrise or sunset photographs.ĭeb doesn't consider her sunrise or sunset pictures to be documents of captured moments. The sunrise or sunset provides the lighting, but the success of the image will likely depend on what it's illuminating-and how it's doing the job. Give yourself the time and the tools to make it. ![]() Plan or anticipate the picture you want to make. The effect of the sun on the landscape is often the picture. ![]() The sun does not have to be the subject of the photograph. What Deb had to say basically comes down to these points: We spoke not too long ago with travel photographer Deborah Sandidge about how to best take advantage of sunrise and sunset opportunities. It's what you do with them that's going to make the difference between photos you'll want to share and those you'll probably delete. The sunrises and sunsets are going to happen.
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